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All about my mother mise en scene

The film under discussion, however, goes beyond that, and discovers what it means to be a woman from many different angles. Mulvey uses Freudian psychoanalysis as an appropriate tool of the dominant patriarchal order to analyze another product of patriarchal order — cinema.

  • Stella stays with him anyway;
  • By the end of the play, she has lost touch with reality and is committed to an insane asylum;
  • A successful family can exist even with two female parents;
  • Agrado used to drive a truck as a man before she got her breast implants;
  • We then see manuella run towards us in the pouring rain in slow motion, exaggerating the emotion that she is feeling.

This lack creates value for phallus, and shapes patriarchal social order Mulvey, 1975, p. Having applied phallocentrism to films of that time, Mulvey explains the division of labor between the active role of a man and the passive role of a woman in a typical Hollywood film ibid.

A woman, Mulvey argues, is not only an object of desire for man characters within a film, but also for the audience who can enjoy her erotically attractive looks and also voyeuristic scenes.

Mise-en-abyme in All About My Mother

Of all the main characters, only four are exclusively male by sex. This fact clearly shifts the focus away from men as active plot creators and bearers of the look. More evidence of this can be found in analyzing the social worth of each man 2 character.

Esteban, although he indirectly has impact on later events, unfortunately dies too early to make a difference to the story in first-hand. Likewise, the hospital doctor lacks personal traits, and only exchanges general phrases with Manuela and Rosa. In contrast to men, women make the whole difference in the story, and they are active participants of events. First of all, the main plot hinges around Manuela, her loss of Esteban and her search for Lola, which makes a woman the bearer of the look.

There are no sexual scenes, which would otherwise make the film conform to a stereotypical voyeuristic practice. With few exceptions, women are shown fully dressed. Especially symbolic is the scene where Manuela is standing in front of a theater, her back to a giant poster of a woman with red lipstick on. This scene literally shows the greatness of a woman character in the film. Here women are not trying to fulfill the lack of a valuable phallus by subjecting themselves to men; rather it is that some men try to be more woman- like.

Agrado used to drive a truck as a man before she got her breast implants. Likewise, Lola was formerly known as Esteban until he decided to become a woman. The film is full of different kinds of behaviors deviant from traditional gender expectations: One of the interesting things about this film though is that most characters are not disturbed by other characters breaking gender expectations or breaking them 3 themselves.

All About My Mother

Agrado is comfortable with being a man biologically and striving for a female gender role. When the stage performance is cancelled, Agrado tells the story of her life and describes in detail how she became a woman physically. What this means is that a gender definition is, to a large extent, a self-definition.

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It depends on a person what gender to choose and is not limited to biological sex. Going further in blurring gender divisions, the film challenges the importance of having different sexes in couple relationships.

Huma and Nina have a same-sex relationship, which is acceptable for them, at least in the beginning. Afterwards, however, Nina leaves and engages in a heterosexual relationship, gets married and gives birth to a child. Although Huma and Nina break up, it is probably not because they have same sex.

All about My Mother

Another example is that of Manuela and Rosa. Here again, Rosa proposes to transcend gender boundaries and create a sort of a family with Manuela to bring up Esteban.

In fact, Almodovar puts in front the idea of irrelevance of gender to successful family relationships. The example of Manuela and Rosa questions the traditional family unit.

A successful family can exist even with two female parents: Another example supporting this idea is that of Lola and Esteban the second. Esteban writes in his notebook that he is desperate to know his father, regardless of who he is, or what he did to his mother.

So, Lola could successfully become a family member, despite his altered gender. Besides, Manuela points out that Lola did not change much as a person, and she could live with him, be it not for his physical abuse.

Based on these two examples, Almodovar separates the idea of gender expectations from the idea of a successful family unit. This is not a typical family: This once again reinforces the idea that human relationships go beyond differences of gender or any other.

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Esteban the Third does not inherit the disease as the reward for reconciliation among all characters. The Virus is a sign of anger, and misunderstanding between people of the story, and it disappears once all relationships come into balance: Manuela finds Lola, Rosa and her mother get on well before she dies, and Nina finds her happiness without Huma.

Besides, Almodovar goes further to challenge the importance of gender and sex for productive human relationships. He shows cases when gender and sex are not as important as family ties. All About My Mother. Visual Pleasure and Narrative Cinema. In Film Theory and Criticism: Leo Braudy and Marshall Cohen. Retrieved March 9, 2013, from http: